Swing Plane Simplified - Working with steeps and shallows
Subscribe now to watch the full video.
In transition, shallowing the club sets up the swing for success or struggles. The most common way for tour pros to shallow the club in transition is to use their shoulders. This allows them to use their legs and trunk for creating speed instead of for controlling the path. This combination helps gets the arms in position for a release with a good flat spot through the ball and a chance to have a high level of consistency in the strike.
Tags: Transition, Analysis, Concept, Intermediate
00:00:00,000 --> 00:00:05,000
In this analysis video, we're going to look at examples of the arm movements and how
00:00:05,000 --> 00:00:08,000
they relate to the shallowing of the club.
00:00:08,000 --> 00:00:12,000
So over on the right, as I used in the details of the arm shallowing, we can see Ben
00:00:12,000 --> 00:00:17,000
Hogan demonstrating, he's talking about his lower body, but you can see as he gets into
00:00:17,000 --> 00:00:23,000
this position, his left elbow is roughly above his right, not exactly, but you can see
00:00:23,000 --> 00:00:28,000
that there's kind of in a similar path, similar point there.
00:00:28,000 --> 00:00:32,000
Now we're going to use that as a reference as far as this shallow movement.
00:00:32,000 --> 00:00:38,000
So the elbows do a great job of showing us what the shoulders are doing, right?
00:00:38,000 --> 00:00:42,000
The hands to the elbow shows us a lot of what the forearm's doing and the elbows can help
00:00:42,000 --> 00:00:44,000
us see what the shoulders are doing.
00:00:44,000 --> 00:00:52,000
So here we have a kind of a novice golfer, and as he comes down, you can see that his elbows
00:00:52,000 --> 00:00:57,000
are roughly parallel to the ground, if anything, that right elbow is actually a little
00:00:57,000 --> 00:01:02,000
bit higher, and we can use that as a reference against the spine angle, and we can see
00:01:02,000 --> 00:01:05,000
that there's a pretty good difference between the two.
00:01:05,000 --> 00:01:11,000
We were looking at Ben Hogan here, his spine would be kind of like so, and his elbows are kind
00:01:11,000 --> 00:01:13,000
of like this, it would be less than an angle.
00:01:13,000 --> 00:01:17,000
It'll make more sense when we take a look at some of the pros from that same down the line
00:01:17,000 --> 00:01:26,000
view.
00:01:26,000 --> 00:01:29,000
So now over here on the left we're going to have a golfer who tends to battle hooks because
00:01:29,000 --> 00:01:33,000
he does most of his shallowing from his body, and then over here on the right we have
00:01:33,000 --> 00:01:38,000
Carl Peterson who's an awesome ball striker.
00:01:38,000 --> 00:01:46,000
So what used the elbow location during the backswing is kind of their reference, so you
00:01:46,000 --> 00:01:51,000
can see that roughly Carl spine is kind of like this, and at this point his arms are
00:01:51,000 --> 00:01:54,000
more or less perpendicular to it.
00:01:54,000 --> 00:01:59,000
Now as he goes up towards the top of the swing and he starts back down you can see that
00:01:59,000 --> 00:02:06,000
the spine angle pretty much stayed the same, but now instead of having the right elbow above
00:02:06,000 --> 00:02:10,000
the right elbow is below, we're closer to that angle of the spine.
00:02:10,000 --> 00:02:18,000
So here we have the same two lines over on the left, as he goes up we'll see that there's
00:02:18,000 --> 00:02:23,000
a big shift as far as what his elbows look like, but you can also see that there was a
00:02:23,000 --> 00:02:28,000
bout an equal shift in what's going on with his body.
00:02:28,000 --> 00:02:34,000
So the other way to kind of look at it is he gets to a similar elbow orientation as Carl,
00:02:34,000 --> 00:02:41,000
but Carl did it while his posture if anything got steeper by dropping slightly down, where
00:02:41,000 --> 00:02:43,000
the gentleman left it by standing up.
00:02:43,000 --> 00:02:50,000
We're going to take a look at a few more tour pros to see examples of this elbow orientation
00:02:50,000 --> 00:02:58,000
during the transition position.
00:02:58,000 --> 00:03:03,000
So here we have two more examples, Jordan's feet on the left, Graham on the right.
00:03:03,000 --> 00:03:09,000
We're going to use the kind of elbows compared to the spine as a representation of what
00:03:09,000 --> 00:03:12,000
kind of shoulder rotation movements they're doing.
00:03:12,000 --> 00:03:18,000
So you'll see his spine has dropped down, but now on the way down his right elbow is getting
00:03:18,000 --> 00:03:20,000
slightly underneath the left.
00:03:20,000 --> 00:03:27,000
Graham is going to do it a little bit more, so we'll see those elbows roughly parallel
00:03:27,000 --> 00:03:28,000
to the ground at this point.
00:03:28,000 --> 00:03:33,000
His spine is actually getting down, but we can see that as he comes down now his right
00:03:33,000 --> 00:03:39,000
elbow is underneath the left, similar to what Ben Hogan was demonstrating in the early
00:03:39,000 --> 00:03:41,000
part of the video.
00:03:41,000 --> 00:03:43,000
Let's look at a few more.
00:03:43,000 --> 00:03:48,000
So here two more fun examples, we've Kenny Perry on the left and Sergio on the right.
00:03:48,000 --> 00:03:54,000
Now Sergio will actually demonstrate that he does not do a lot of that rotation from the
00:03:54,000 --> 00:03:55,000
shoulders.
00:03:55,000 --> 00:03:58,000
You can see that the elbows, which is going to give us a better indication of what's
00:03:58,000 --> 00:04:02,000
going on at the shoulders, are is relatively level.
00:04:02,000 --> 00:04:06,000
Now he still gets it the flatten, which means he's doing it more from his forearms,
00:04:06,000 --> 00:04:08,000
because that's his only other option.
00:04:08,000 --> 00:04:14,000
But that's the only other way that you could have your upper body go down slightly the
00:04:14,000 --> 00:04:19,000
way that we want during transition, which is an indication of how well you are using the
00:04:19,000 --> 00:04:20,000
ground.
00:04:20,000 --> 00:04:25,000
So here we have Kenny Perry up at the top of the swing with his slight loss of posture.
00:04:25,000 --> 00:04:29,000
So you'll see that upper body start working down, but you can see that right elbow
00:04:29,000 --> 00:04:33,000
working underneath the left and that left arm slightly rotating.
00:04:33,000 --> 00:04:40,000
That's what helps get in that appearance of the elbows more parallel to the spine angle as
00:04:40,000 --> 00:04:45,000
opposed to perpendicular as we saw with the amateurs.
00:04:45,000 --> 00:04:48,000
Now I like to show you some of the differences between the driver and the iron.
00:04:48,000 --> 00:04:53,000
Anytime I'm doing these videos, so here we have Steve Strikker with the driver.
00:04:53,000 --> 00:04:59,000
You'll see that right elbow gets well under the left, so he's created that shallow movement
00:04:59,000 --> 00:05:00,000
with the shoulders.
00:05:00,000 --> 00:05:05,000
But here he's hitting just a three-quarter wedge, and you'll see that as he comes down,
00:05:05,000 --> 00:05:09,000
even though the spine angle is relatively the same, you can see that he hasn't had nearly
00:05:09,000 --> 00:05:13,000
as much of the shoulder rotation.
00:05:13,000 --> 00:05:16,000
So it's not as critical for the short shots.
00:05:16,000 --> 00:05:22,000
Filmmackelsim would be another one who doesn't make the adjustment with his driver, and
00:05:22,000 --> 00:05:24,000
that's part of the reason why he struggles with the driver.
00:05:24,000 --> 00:05:26,000
And one more set of examples.
00:05:26,000 --> 00:05:29,000
I wanted to show you that it is possible to see from the face on view.
00:05:29,000 --> 00:05:33,000
I think it's easier from the down line, but from the face on view what you'd be looking
00:05:33,000 --> 00:05:40,000
for is the ability to see that trail arm underneath the lead arm as they approach delivery
00:05:40,000 --> 00:05:41,000
position.
00:05:41,000 --> 00:05:46,000
So kind of down in this area and then looking at the timing of when you start to see that
00:05:46,000 --> 00:05:50,000
left arm on top of the right, that's giving you an indication of how much those shoulders
00:05:50,000 --> 00:05:51,000
have rotated.
00:05:51,000 --> 00:05:57,000
So here cameras a little bit higher, but you can see the point of that elbow.
00:05:57,000 --> 00:06:04,000
Actually Nick Watney does it more than Graham, but you'll see similar movement where we
00:06:04,000 --> 00:06:09,000
can see that right elbow just underneath the left as they approach delivery position.
00:06:09,000 --> 00:06:12,000
I can give you an indication of what they're doing with the shoulders, how they're
00:06:12,000 --> 00:06:16,000
shallowing it out, and how it relates to the rest of the swing.
00:06:16,000 --> 00:06:22,000
This shoulder movement is one of the movements that I see unlock a lot of things for the
00:06:22,000 --> 00:06:28,000
parameters, but some of the coaches who use our site have indicated that it's one of
00:06:28,000 --> 00:06:33,000
the key movements that they use, especially for golfers who tend to get over the top,
00:06:33,000 --> 00:06:38,000
struggle with open club face and tend to struggle with having enough body rotation on
00:06:38,000 --> 00:06:39,000
the way through.
00:06:39,000 --> 00:06:44,000
So if that fits your description, consider looking into the different videos we have
00:06:44,000 --> 00:06:47,000
on how to properly shallow out the club using your arms.