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In this combo drill, we look at exploring right tilt and supination. These are a common complementary pattern because they help balance the path and face at the same time.
Right tilt moves the low point backward but also opens the face by helping you hit it earlier along the arc.
Supination moves the low point forward but also closes the face by continuing the motorcycle movement and rotates the face more closed to the path.
The combination of these two moves helps to create the classic follow-through posture of staying in your posture, keeping the arms wide and having the club shaft exit on plane.
Tags: Poor Contact, Concept
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This combo drill is looking at combining right tilt with supination.
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So oftentimes when you're working on improving your swing, you have to work on two things
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simultaneously.
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I call those combo drills.
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So in this case, we're going to work on the follow through position by working on right
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tilt or basically as I come through that head on the pillow, getting that right shoulder
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down.
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So early extension, and we're going to work on that with supination.
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Because the combo of those two is what creates the look of that right shoulder down, but
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the club kind of in line with the shoulders.
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Oftentimes, golfers circle with one of two areas in the follow through either.
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They will have more of this pattern where the club is actually exiting kind of on plane.
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You see in order to do that, I stood up and kind of bent my arms lifting the club
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that way.
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Or they will tend to do more of this pattern here where again the arms bent, but this time
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the club finished well under the plane.
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So I kind of pulled it around.
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In both cases, I'm lacking the supination and a little bit of the side bend, one case
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more than the other.
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So oftentimes, I'll have golfers once we've worked on both of them individually,
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work on putting them together.
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So basically, getting into a good follow through position kind of like this where that
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right shoulder is down, but the butt of the club is pointing in the direction of the
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golf ball.
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Now, if my shoulder is down, that means that the butt of the club and my shoulders are
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pointing in a similar position.
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So oftentimes, I'll start by having them hold the club out, arms are straight, and then
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just try to get the shoulders and the butt of the club pointing in the same direction.
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And I'll usually add a little bit of owner deviation, so it's pointing more there instead
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of straight across.
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So it's not going that way because in the actual release, it would have done more of that
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pattern there, where it would have been out kind of like this.
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Now, if I'm in this position from the down the line, that looks like the club face is
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ridiculously closed, but then if I get that shoulder down and get it in the right position,
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you'll see that it looks like it's turned slightly towards the plane, which is more
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of a square full release.
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So usually I'll do this as a 9 to 3, maybe 10 to 2 at first, because I want to hold that
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follow through position to really emphasize which of the two pieces I need.
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So if I'm focusing mostly on the shoulder being down, I would use one of the merry
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ground or head on a pillow or shoulder down or bracing or something like that.
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And then I'm going to combo it with feeling that full forearm rotation.
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So we'll demonstrate, we'll go through a couple, start with 9 to 3.
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So in a 9 to 3, I should be able to stop and check that position.
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Now the problem with the 9 to 3 is I haven't gone all the way to that full end of my
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supination.
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So what can trouble some people is perhaps my arms were straight and I was just lifting
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up so there was no rotation.
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But then as I had speed, that would cause the club to exit more vertically or almost up
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my neck.
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So if I don't have any of that supination or lead arm rotation, then as I had speed, I can
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almost guarantee that you'll start to add more and more of that early extension.
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So let's do a 10 to 2, that'll be a little bit easier.
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So now in that 10 to 2 position, I can take a look and see if my shoulders and the club
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are pointing in the same direction.
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If they're not, if it's pointing more straight up and down or if it's way behind me kind
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of like this, then I know that I've done more of the movement at my shoulders and not enough
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at the wrist and forearms.
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So let's do that again, 10 to 2, focus on the shoulders staying down with that good
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supination, that supination helps keep the club wide, keeps those arms straight and
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allow me to stay in posture while still making solid contact.
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So if you're struggling with your follow-through position, then I recommend either working
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on the body tilt or the arm rotation.
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Once you have a basic understanding of both, then you should work on trying to combo
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them or put them together.
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That will ultimately get you over the hump and make it feel a lot more automatic because
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you'll have two moves that are complimenting each other instead of possibly having one move
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that's fighting you while you're working on changing your swing.
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So one point I forgot to mention, as I go into the full swing, if I'm working on this
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supination, I'll be able to do more of a smooth release.
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Anytime I tend to do more of this arm bending, I'm going to have a harder time finishing
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it tend to two because I'm going to be almost adding speed and momentum going up.
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I'm going to be bringing the club up with me.
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So oftentimes I'll have people try to do this in more of a slow motion fashion, trying
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to make really solid contact.
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If you do that, it will feel very smooth and wide and I'll like that on the way through.
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And now I'll, that was more of a tend to two.
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I'll do it smooth and wide and not stop it tend to two but keep going through.
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So that can be a little bit of a diagnostic as to if the arms are bending or more rotating.
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While staying wide, you can move that momentum slowly as opposed to if they're bending
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and pulling in.
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You'll have a harder time stopping before you get to a full swing.