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This concept video is discussing the keys

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to the hit hard stop short drill.

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Um, so for whatever reason in the, in the last couple weeks,

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I've had a handful of questions about the hit hard stop,

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short drill, um, kind of the Tommy Fleetwood drill.

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So who are the players who are really able

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to make these swings where they can hit, uh, aggressively

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through the ball, but still have a short follow through.

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Um, there are some swing characteristics that makes

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that really hard, um,

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and the ones that make that really hard tend

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to have more kind of timing issues

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down at the bottom of the swing.

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Um, so we'll talk through the keys.

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There's keys from both the body pivot as well

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as the arm actions that allow for that hit hard stop, uh,

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short drill, um, to be successful.

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So we'll see if we can nail it in one

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take, one delivery here.

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Um, so almost a full backswing,

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but more of a short kind of abbreviated follow through.

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Um, and that's gonna be, uh, just looking at where

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that carried, that's probably 90%

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of my full swing distance there.

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It's kind of a really aggressive, um, aggressive swing

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with a more of a punch or shortened follow through feel.

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In order to do that, I need to have really good, um,

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essentially I need

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to have my body going into a really good bracing position

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from the body's perspective.

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That means I need to be going into more of this, uh,

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negative torsion or extension

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of the body blended with rotation.

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Um, so making sure that I'm getting into a good rotation,

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extension side bend, um,

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or getting that, uh,

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rotation happening more from the backside of the body.

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If when I get down into the release, if I kind of

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give the club a lot of momentum, either with my body

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or with my arms, becomes very hard,

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almost impossible to stop short.

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So if I get down here and I was to kind of spin my shoulders

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or spin my hips, then what would happen is

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the club would have too much momentum

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and continue past that, stop short.

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So from the body's perspective, it's getting more of this

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straightening of the legs going into slight extension,

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the shoulder, feeling like it's going a li staying a little

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bit more back instead of, uh, getting on top of it.

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That combination from the body allows me to get into kind

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of this position here.

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And if my arms are extending out, you'll see

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that I can easily stop short

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and I could handle a fair amount of weight.

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Um, again, if on the other hand I was just spinning my body,

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um, on the way through, really aggressively going through,

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you can see how I'm gonna fly through

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that stop short position.

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So that's more of the body's characteristics.

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Now, from the arms, they're con uh,

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contributing factors from both sides.

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So from the left arm, if I'm doing more of a pull

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or a chop down, if I'm doing more of a motion

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where this is coming back here, then I'm gonna be bringing,

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um, the, I'm gonna be transferring some

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of the weight from my, or some of the energy from my arm

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and, uh, flying through that stop short checkpoint in order

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for the arm to get into more of that stop short checkpoint.

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Um, my release has to be going more out this way,

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accompanied with what my bo my body bracing, um, as opposed

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to the arm coming in this way.

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So if I focus mostly on this left arm,

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just gonna have the right hand

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doing a little bit of support.

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If I get into that position, you can see it's

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possible This left arm is almost acting as a little bit

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of a break, where if I was to pull this arm on the way

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through, then you could see it would be impossible

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unless I really truncated my body, um, for me to stop short.

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But if I have my body go

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and the arm goes, I'm gonna fly through that position.

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So I have to feel like this left arm is a little bit more

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kind of up and in front

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and kind of pointing out, getting full, um, ulnar deviation

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and extension, kind of more like this from the trail arm.

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The two big keys I see are more the wipe

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and feeling like the shoulder is kind of staying down,

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or this arm is feeling more connected

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and the wrist getting more into that shot put, um,

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or stop sign, uh, position.

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Kinda more of that flying wedge kinda like this.

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So if I have that motion happening, then it's,

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it's getting great shaft lean

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and it's delaying the,

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the club passing the hand.

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If the shoulder

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or the wrist tend to give a big kind of push at the bottom,

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then even if I was trying to stop short, um, again, I've,

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I've put momentum in the system kind of too late for me

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to be able, uh, to absorb it or stop it there.

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Um, so if I'm focusing more on

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that good trail arm mechanics, then it has more of this

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kind of shot put, uh, palm strike feel like that.

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So if I put it together, if I get more

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of my body going into its good pivot.

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So, um, more of this extension with the core

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and the legs going into more of this combination

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of rotation side bend,

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extension term we call negative torsion.

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Um, if I'm doing that while my arms are extending out,

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then what's gonna happen is I'm going to be able

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to get into a position

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where there might be just a little give

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of the club depending on how hard I'm hitting it,

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but there won't be a big collapse

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of either my body or my arms.

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That means I'm getting into a really consistent

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or stable position through impact.

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I can add a bunch of speed

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and still have a lot of contact click control as well as,

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uh, cub face consistency.

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So if you're struggling with a little bit more

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of a flip buckle, you know, just some

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what I call chaos at the bottom,

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the hit hard stop short can be a really good catchall drill.

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But there are a few keys you gotta monitor.

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I recommend using face on video doing that drill.

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It'll be the best way to, uh, get a snapshot as far as which

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of the pieces you might need to prioritize.