Subscribe now to watch the full video.
It can seem odd to think of tilting left in transition, and you may feel like it's more of a flexion movement than a left tilt. What you feel is not important, but this video helps you visualize how the upper body works properly in transition. Keep in mind that if you have a very steep arm movement, you will have a hard time making this move without having a steep pattern, which typically comes with deep divots and toe shots.
Tags: Not Enough Distance, Transition, Analysis, Concept, Intermediate
00:00:00,000 --> 00:00:04,000
In this analysis video, we're going to take a look at the left tilt and transition.
00:00:04,000 --> 00:00:07,000
Now, there are two major body movements to transition.
00:00:07,000 --> 00:00:12,000
One being the Jackson Fiverr, kind of the lateral shift, and two being this left tilt
00:00:12,000 --> 00:00:14,000
or staying in your posture.
00:00:14,000 --> 00:00:18,000
So, we're going to take a look at a couple different angles so that we can really visualize
00:00:18,000 --> 00:00:24,000
this transition movement of the body, and specifically the left tilt and how it helps
00:00:24,000 --> 00:00:28,000
kind of load what we want to do during the release.
00:00:28,000 --> 00:00:32,000
So, over here on the right, we have very macro-right.
00:00:32,000 --> 00:00:37,000
And I'm going to show you a couple different camera angles where it's possible to view this,
00:00:37,000 --> 00:00:39,000
but it's a subtle movement.
00:00:39,000 --> 00:00:44,000
So, typically 3D is going to be the easiest place where you can observe it.
00:00:44,000 --> 00:00:50,000
What you'll see in 3D is that the left tilt will continue to increase until just after
00:00:50,000 --> 00:00:51,000
the top of the swing.
00:00:51,000 --> 00:00:59,000
And then the flexion or going into the flexion pattern is going to increase even a little
00:00:59,000 --> 00:01:00,000
bit longer.
00:01:00,000 --> 00:01:04,000
So, there's a combination of this left tilt and flexion that's kind of happening during
00:01:04,000 --> 00:01:05,000
transition.
00:01:05,000 --> 00:01:09,000
So, you can kind of see it from the down the line view.
00:01:09,000 --> 00:01:12,000
If we take a look at Rory there, I've got two different lines.
00:01:12,000 --> 00:01:19,000
You can see that he's not only lowering, you can see that the angle or the left side of
00:01:19,000 --> 00:01:26,000
his shoulder is kind of breaking through this line more so than his middle or kind of his belly
00:01:26,000 --> 00:01:28,000
button area.
00:01:28,000 --> 00:01:34,000
So that's the indication that he's kind of creating a little bit more of this left tilt
00:01:34,000 --> 00:01:39,000
with the left side of his ribcage during that first phase of transition.
00:01:39,000 --> 00:01:46,000
Now, if we take a look at an amateur who's who I have his 3D graph and is not left
00:01:46,000 --> 00:01:52,000
tilting in transition, what you'll see is as he starts down, everything kind of starts
00:01:52,000 --> 00:01:58,000
working away from that line almost instantly and the posture is actually increasing in
00:01:58,000 --> 00:01:59,000
angle.
00:01:59,000 --> 00:02:04,000
So, if we were to take a look, you can see that he's moving away from those lines where
00:02:04,000 --> 00:02:08,000
Rory's upper body is basically breaking through them.
00:02:08,000 --> 00:02:16,000
Now, if I was to just look at head height, that would obviously depend on camera angle,
00:02:16,000 --> 00:02:19,000
but you could see that this golfer is dropping his head.
00:02:19,000 --> 00:02:24,000
Now, part of that is because of the lateral movement of the pelvis, part of his movement
00:02:24,000 --> 00:02:25,000
of the tapping at the lower body.
00:02:25,000 --> 00:02:32,000
So, using the head is not a very good way to visualize or to monitor whether or not you're
00:02:32,000 --> 00:02:37,000
having this left tilt or keeping your spine angle in transition.
00:02:37,000 --> 00:02:43,000
But I'm going to show you a view that where I think it's almost as easy to view it in 3D,
00:02:43,000 --> 00:02:46,000
but unfortunately it's kind of a risky view.
00:02:46,000 --> 00:02:50,000
Over on the right, we have Ray McRoy, who this is part of the reason why I used him
00:02:50,000 --> 00:02:56,000
for the down the line is because A of scene is 3D file, I know he does this very well.
00:02:56,000 --> 00:03:01,000
B, he was one of the golfers that I was able to find a very good target line view on.
00:03:01,000 --> 00:03:09,000
So here what we'll see is as he starts his downswing, you can see that increase in the left
00:03:09,000 --> 00:03:11,000
tilt of the upper part of the spine.
00:03:11,000 --> 00:03:17,000
So you can see that upper body is kind of getting closer and he's also tilting a little
00:03:17,000 --> 00:03:18,000
bit left.
00:03:18,000 --> 00:03:23,000
Now the reason that you want to do that is because getting that upper body to tilt slightly
00:03:23,000 --> 00:03:28,000
to the left is going to cause the way that he is pushing against the ground to be more
00:03:28,000 --> 00:03:32,000
away from the target and less straight down.
00:03:32,000 --> 00:03:38,000
Imagine a running back or a soccer player that's going to change directions very quickly.
00:03:38,000 --> 00:03:42,000
They're going to get their upper body close to the ground and away from their foot so
00:03:42,000 --> 00:03:47,000
that they'll have basically a bigger moment arm or a better leverage to push against the
00:03:47,000 --> 00:03:48,000
ground from.
00:03:48,000 --> 00:03:51,000
It's part of the reason why the golfers are doing this is to change the direction that
00:03:51,000 --> 00:03:54,000
they're able to push against the ground with.
00:03:54,000 --> 00:03:59,000
So over on the left we have a teaching pro in Maryland who's a very good ball striker
00:03:59,000 --> 00:04:04,000
that I used to work with and he was brave enough to take one of these down from the target
00:04:04,000 --> 00:04:05,000
line.
00:04:05,000 --> 00:04:06,000
Can't reviews.
00:04:06,000 --> 00:04:13,000
And you can see that left tilt kind of right in there of the upper body turning into
00:04:13,000 --> 00:04:18,000
flexion and then it's not until right about here that you start to see it going into that
00:04:18,000 --> 00:04:20,000
right side bend.
00:04:20,000 --> 00:04:26,000
So again you can just kind of toggle back and forth a few and you can kind of visualize
00:04:26,000 --> 00:04:31,000
what's happening with that upper body getting slightly steeper.
00:04:31,000 --> 00:04:36,000
And that's part of the reason why the arms have to shallow a bit because if we go back
00:04:36,000 --> 00:04:41,000
over here to Roy Macroi, if those arms were to rotate to the left you would tend to see
00:04:41,000 --> 00:04:47,000
the shaft get very vertical because of what's going on with the upper body.
00:04:47,000 --> 00:04:52,000
So building off of the left tilt and transition then what will happen is during the release
00:04:52,000 --> 00:04:58,000
it will go into right side bend as that leg is pushing through and that rotation and upper
00:04:58,000 --> 00:05:04,000
body bend will help create the platform for those arms to extend through the shot.
00:05:04,000 --> 00:05:08,000
There's also a great camera view for being able to see the impact alignments.
00:05:08,000 --> 00:05:13,000
So this camera is well down on the target line and when he's making contact you can see
00:05:13,000 --> 00:05:18,000
that his belt buckle and even his chest are kind of pointed out at this camera.
00:05:18,000 --> 00:05:21,000
That allows for his arms to extend.
00:05:21,000 --> 00:05:26,000
So while this video is hopefully to show you about this left tilt and transition we might
00:05:26,000 --> 00:05:32,000
will take advantage of the camera angles and look at where these golfers are typically
00:05:32,000 --> 00:05:37,000
pointed at impact and how that enables their arms to extend.
00:05:37,000 --> 00:05:43,000
Most amateur golfers which unfortunately we don't have I was able to find a very good
00:05:43,000 --> 00:05:47,000
camera view like this because you'd be putting your camera in risk.
00:05:47,000 --> 00:05:52,000
Most amateur golfers would be facing much more at the golf ball and so as a result you
00:05:52,000 --> 00:05:56,000
would tend to see their arms bend on the way through in a little bit more of a chicken
00:05:56,000 --> 00:05:57,000
wing pattern.
00:05:57,000 --> 00:05:59,000
And now we have two more golfers we can take a look at.
00:05:59,000 --> 00:06:05,000
We've got Ricky Fowler on the right Dustin Johnson on the left.
00:06:05,000 --> 00:06:11,000
The both camera views were intended to highlight the lower body but they actually do a pretty
00:06:11,000 --> 00:06:14,000
good job of showing what we're trying to look at at the ribcage.
00:06:14,000 --> 00:06:19,000
So when he's up at the top of the swing right about here you can see that his shoulder is
00:06:19,000 --> 00:06:25,000
all the way up at the top of the screen and then as he starts working down it's that
00:06:25,000 --> 00:06:31,000
early first part of transition as he's shifting his pressure onto the left foot.
00:06:31,000 --> 00:06:36,000
He's increasing just slightly the amount of left side bend.
00:06:36,000 --> 00:06:42,000
So we're here on the left we'll be able to see even more exaggerated version from Dustin
00:06:42,000 --> 00:06:49,000
Johnson so you can see that as he's changing direction during that early part of transition
00:06:49,000 --> 00:06:54,000
you can think of it a lot of golfers feel it as more of a flexion pattern but you can clearly
00:06:54,000 --> 00:06:59,000
see that it's actually going 90 degrees to where it's chest is facing so it's technically
00:06:59,000 --> 00:07:01,000
more of a left side bend.
00:07:01,000 --> 00:07:08,000
But it's that movement that allows that as his upper body or his lower body shifts over
00:07:08,000 --> 00:07:12,000
here and his upper body is going down that's going to cause the direction that he's pushing
00:07:12,000 --> 00:07:17,000
with his foot to go from pushing kind of like this to more like that.
00:07:17,000 --> 00:07:22,000
It's not so much that he's able to push harder but it changes the direction which is
00:07:22,000 --> 00:07:27,000
one of the hallmarks of very good drivers of the golf ball especially.
00:07:27,000 --> 00:07:30,000
So if you're struggling with early extension if you're struggling with getting your arms
00:07:30,000 --> 00:07:35,000
to shallow perhaps you're not doing enough of this left side bend in transition.
00:07:35,000 --> 00:07:40,000
Now if you start to implement this left side bend in transition or the increased flexion
00:07:40,000 --> 00:07:45,000
in transition and you start to hit toe contact or you start to hit really kind of clunky
00:07:45,000 --> 00:07:51,000
steep contact then it's a very good indication that you're not shallowing out the club.
00:07:51,000 --> 00:07:56,000
This down the target line view is also great for seeing how they're able to rotate the
00:07:56,000 --> 00:08:02,000
arms and get into that shallow arm position and ultimately that combination allows them
00:08:02,000 --> 00:08:07,000
to get great extension on the way through which is one of those big keys to consistency.
00:08:07,000 --> 00:08:11,000
If you're having trouble implementing this in your own game feel free to submit a video
00:08:11,000 --> 00:08:14,000
or send us an email and we can help you figure out what's holding you back.