Subscribe now to watch the full video.
Discover the crucial distinction between internal and external rotation of the trail hip during the golf swing. Explore the differences between the classic Sam Snead squat and the knee caving in movement, and understand how these variations affect your weight distribution, core engagement, and overall swing efficiency. By revisiting and refining these concepts, you'll learn how to enhance your pivot for a more powerful and controlled release.
WEBVTT - This file was automatically generated by VIMEO
0
00:00:05.005 --> 00:00:08.335
This concept video is revisiting internal versus external
1
00:00:08.655 --> 00:00:09.655
rotation of the trail hip.
2
00:00:09.955 --> 00:00:12.735
Um, so the look of kind
3
00:00:12.735 --> 00:00:15.695
of the Sam Snead squat versus the knee kind of caving in,
4
00:00:15.955 --> 00:00:18.815
um, has been a hot topic in golf instruction
5
00:00:18.915 --> 00:00:20.255
for for many years.
6
00:00:20.395 --> 00:00:23.375
Um, I did a video on it, uh, talking about its relationship
7
00:00:23.395 --> 00:00:25.655
to weight distribution, which I do think is relevant,
8
00:00:25.655 --> 00:00:27.695
but I think I have a better description of it now.
9
00:00:27.955 --> 00:00:32.495
Um, so from talking with, uh, some, some of the people i,
10
00:00:33.175 --> 00:00:35.935
I bounce my ideas off of on the body, the medical side.
11
00:00:36.355 --> 00:00:40.895
Um, what the way I would phrase it now is, uh, the one
12
00:00:40.895 --> 00:00:44.175
that looks external rotation is more of a disassociation
13
00:00:44.175 --> 00:00:45.415
of the hip and the one
14
00:00:45.415 --> 00:00:47.695
that looks like internal rotation is more
15
00:00:47.695 --> 00:00:49.415
of a connection of the hip.
16
00:00:49.795 --> 00:00:54.375
And what's likely happening is the disassociation.
17
00:00:54.515 --> 00:00:58.935
So the more of the kind of the squat look is
18
00:00:59.665 --> 00:01:01.775
using the glute, creating a stretch
19
00:01:01.795 --> 00:01:03.375
so we can get a little bit more of a,
20
00:01:03.575 --> 00:01:06.015
a whip effect on down through the release.
21
00:01:06.595 --> 00:01:10.375
And the look of going into internal rotation is likely
22
00:01:10.905 --> 00:01:12.295
using my abs,
23
00:01:12.435 --> 00:01:16.215
but creating this whole region as a fixed point so
24
00:01:16.215 --> 00:01:17.535
that my abs can work
25
00:01:17.535 --> 00:01:20.735
through the leg into the foot to spin my body.
26
00:01:21.075 --> 00:01:22.615
Um, so the look
27
00:01:22.675 --> 00:01:26.055
of the internal rotation is typically gonna be more
28
00:01:26.055 --> 00:01:30.015
associated with an upper body kind of, uh, dominant pattern
29
00:01:30.115 --> 00:01:34.055
or a little bit more of a spin of the shoulder girdle, um,
30
00:01:34.815 --> 00:01:38.935
compared to the, the look of going into external rotation,
31
00:01:39.185 --> 00:01:40.895
which is going to be a little bit more
32
00:01:40.895 --> 00:01:42.735
of an independent hip movement.
33
00:01:43.035 --> 00:01:46.415
And while that's happening, um, your core is staying back
34
00:01:46.475 --> 00:01:49.295
and you're kind of spring loading the muscles in your trunk.
35
00:01:49.715 --> 00:01:54.095
Um, so one way to look at it is as you're going up to the,
36
00:01:54.315 --> 00:01:55.815
as we're going up to the top of the swing,
37
00:01:56.075 --> 00:01:59.095
if you look at basically where is the knee pointed compared
38
00:01:59.095 --> 00:02:02.255
to where the belt buckle is pointing, um, as we go up
39
00:02:02.255 --> 00:02:05.855
to the top, some golfers like Minu Lee,
40
00:02:05.875 --> 00:02:08.215
you'll see the knee kind of comes in
41
00:02:08.875 --> 00:02:10.575
and other golfers like Rory
42
00:02:10.575 --> 00:02:13.615
or the classic one with Sam Snead, um, you'll see
43
00:02:13.615 --> 00:02:15.735
that the knee stays kind of pointing out
44
00:02:15.755 --> 00:02:19.055
and the belt buckle rotates away from the knee.
45
00:02:19.195 --> 00:02:21.215
If the belt buckle rotates away from the knee,
46
00:02:21.215 --> 00:02:23.215
then I'm actually getting hip rotation.
47
00:02:23.595 --> 00:02:24.655
Um, if the belt buckle
48
00:02:24.755 --> 00:02:25.935
and the knee move together,
49
00:02:26.405 --> 00:02:29.295
then I'm not really getting a lot of hip rotation.
50
00:02:29.715 --> 00:02:33.895
I'm more moving the pelvis, um, with some other muscles,
51
00:02:34.045 --> 00:02:36.935
some other structures either down from the leg, um,
52
00:02:36.995 --> 00:02:38.815
or what I likely believe it's
53
00:02:38.815 --> 00:02:39.975
more from the abs and the core.
54
00:02:40.315 --> 00:02:44.895
Um, so my preference has shifted to, I don't really care to.
55
00:02:44.995 --> 00:02:48.415
Now my preference is a little bit more towards that, um,
56
00:02:48.795 --> 00:02:51.575
the look of the disassociation, um,
57
00:02:51.575 --> 00:02:54.615
because it tends to load the core better for more of the,
58
00:02:54.915 --> 00:02:56.055
the negative torsion
59
00:02:56.155 --> 00:02:58.975
or what I think is one of the big hallmarks of, um,
60
00:02:59.305 --> 00:03:01.685
the really good re body release pattern.
61
00:03:02.025 --> 00:03:04.085
Um, where if you tend to do too much
62
00:03:04.085 --> 00:03:07.165
with your abs this way it can encourage a
63
00:03:07.165 --> 00:03:08.245
little bit more of a stall.
64
00:03:08.545 --> 00:03:10.845
It can encourage this hip kind of dropping down
65
00:03:10.845 --> 00:03:12.045
and causing low point issues.
66
00:03:12.265 --> 00:03:14.125
Um, it creates a little bit more timing
67
00:03:14.185 --> 00:03:16.965
and a little bit more inconsistency, um, than
68
00:03:16.965 --> 00:03:18.165
that external rotation.
69
00:03:18.425 --> 00:03:21.245
Uh, so I have other videos as far as the, you know,
70
00:03:21.265 --> 00:03:24.125
the hip action and how to get the combination
71
00:03:24.145 --> 00:03:27.685
of extending the leg, rotating the hip, extending the hip,
72
00:03:28.465 --> 00:03:30.645
um, and going into slight abduction.
73
00:03:30.905 --> 00:03:32.565
So, or, uh, abduction, sorry.
74
00:03:32.825 --> 00:03:36.245
Um, so getting kind of that movement going from the hip.
75
00:03:36.665 --> 00:03:39.045
Uh, if you do that, then
76
00:03:40.295 --> 00:03:43.085
while the shoulders stay a little bit more closed,
77
00:03:43.345 --> 00:03:45.725
that's gonna get you into this really good loaded
78
00:03:46.125 --> 00:03:47.405
delivery position for the spine.
79
00:03:47.705 --> 00:03:51.445
Um, and now you're pretty much set up in a position where
80
00:03:52.105 --> 00:03:55.725
if you go into that, um, negative torsion,
81
00:03:55.965 --> 00:03:58.205
straightening the leg, um, all that, uh,
82
00:03:58.275 --> 00:04:00.445
good release movement, we're in a position
83
00:04:00.445 --> 00:04:03.805
where our low point control is gonna be really, um,
84
00:04:04.115 --> 00:04:05.725
precise and kind of gradual.
85
00:04:05.865 --> 00:04:07.965
We can be off by a bunch and still hit it pretty solid.
86
00:04:08.225 --> 00:04:10.805
Um, and it doubles in giving us pretty good face control.
87
00:04:10.985 --> 00:04:12.485
So I think it's one of the hallmarks
88
00:04:12.485 --> 00:04:14.885
of the more consistent ball strikers.
89
00:04:15.145 --> 00:04:16.845
Uh, so if you haven't messed around with it,
90
00:04:16.925 --> 00:04:20.205
I think it's a good piece to work on in transition, trying
91
00:04:20.205 --> 00:04:23.125
to get more of this disassociation of the hip, um,
92
00:04:23.185 --> 00:04:26.605
rather than more of a connected hip, what we used to refer
93
00:04:26.605 --> 00:04:28.325
to as more of a external rotation
94
00:04:28.325 --> 00:04:29.645
of the hip versus internal.
95
00:04:29.945 --> 00:04:31.605
So again, quick, quick demo.
96
00:04:31.785 --> 00:04:35.005
If I was to do kind of this movement right there,
97
00:04:35.035 --> 00:04:37.525
that would be more of the disassociation,
98
00:04:37.935 --> 00:04:39.925
which would have a look a little bit more
99
00:04:42.035 --> 00:04:43.045
kind of like that.
100
00:04:43.465 --> 00:04:46.565
Um, where if I was to basically bend this knee
101
00:04:46.565 --> 00:04:51.285
and really kind of rotate the shoulder, um, the shoulder
102
00:04:51.345 --> 00:04:54.605
and abs, it would have more of a look kind of like this.
103
00:04:55.065 --> 00:04:57.525
Um, this is going to encourage
104
00:04:59.845 --> 00:05:03.925
a little bit more of kind of a, a stall down at impact.
105
00:05:04.185 --> 00:05:06.885
Um, so if you see that as one of your patterns
106
00:05:06.885 --> 00:05:08.365
and you're fighting this stall
107
00:05:08.425 --> 00:05:11.245
and kind of flip down to the bottom, look at transition,
108
00:05:11.245 --> 00:05:13.645
especially that trail hip, it may be relevant
109
00:05:13.825 --> 00:05:15.845
for getting rid of that, uh, kind
110
00:05:15.845 --> 00:05:17.405
of quick upper body dominant pattern.