Click here and enter your email address to watch the full video
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America. Meet your new instructor.
Swing Plane Simplified - Working with steeps and shallows

Subscribe now to watch the full video.

Right Path With An Impact Bag

Many golfers struggle with an outside path and an open face. This single drill allows you to slow down impact and virtually guarantee an in-to-out-path with a closed club face. While it's a small version of a full swing, it does give you a sense

Playlists: Fix Your Flip, Fix Your Slice, Fix Your Chicken Wing (Bent Arm @ Impact), Understand Your Swing Plane/Path, Swing Plane Simplified - Working with steeps and shallows

Tags: Not Straight Enough, Not Enough Distance, Chicken Wing, Cast, Draw vs Fade, Driver, Fairway Wood, Impact, Follow Through, Release, Drill, Beginner

00:00:00,000 --> 00:00:04,000
The story is training a draw path with an impact bag.

00:00:04,000 --> 00:00:08,000
So those of you who've followed the site and followed my teaching know that I'm not really

00:00:08,000 --> 00:00:14,000
a big fan of using an impact bag, training for impact, right?

00:00:14,000 --> 00:00:15,000
The way that they're designed.

00:00:15,000 --> 00:00:21,000
But I do like to use impact bags in a couple different unconventional ways.

00:00:21,000 --> 00:00:27,000
So what I'm going to show you is how I like to use the impact bag to help you with a getting

00:00:27,000 --> 00:00:31,000
an outward path or a right word path for right hand golfers.

00:00:31,000 --> 00:00:37,000
So what we're going to do with the impact bag is we're going to position it outside the

00:00:37,000 --> 00:00:40,000
golf ball kind of like that.

00:00:40,000 --> 00:00:46,000
Now what many golfers, whether they know it or not, what many golfers intuitively believe

00:00:46,000 --> 00:00:52,000
is that in order to hit a draw when they're demonstrating it, they tend to exaggerate

00:00:52,000 --> 00:00:55,000
the face rotating through kind of like this.

00:00:55,000 --> 00:01:00,000
And we know that the amount of rotation that's not what causes the draw, it's the face

00:01:00,000 --> 00:01:03,000
angle compared to the path.

00:01:03,000 --> 00:01:06,000
So this is a good way to focus on both of those.

00:01:06,000 --> 00:01:08,000
Here's what you're going to try to do.

00:01:08,000 --> 00:01:13,000
If I do this facing you, in order to hit a draw, I want you to visualize that the face

00:01:13,000 --> 00:01:14,000
is close to the path.

00:01:14,000 --> 00:01:17,000
And so it's just going to travel through space like this.

00:01:17,000 --> 00:01:22,000
So if there was a golf ball right here, it's traveling more like this.

00:01:22,000 --> 00:01:27,000
It's not that it's coming just slightly inside and rotating close like that.

00:01:27,000 --> 00:01:32,000
So in order to get that feeling, what I'm going to do is I'm going to set up with this

00:01:32,000 --> 00:01:36,000
impact bag roughly out in front of my left foot.

00:01:36,000 --> 00:01:40,000
And now what I'm going to do is I'm going to get that club face so that it's pointing

00:01:40,000 --> 00:01:43,000
roughly at the target back here.

00:01:43,000 --> 00:01:49,000
And I'm going to extend the toe of the club out into the impact bag like this.

00:01:49,000 --> 00:01:53,000
And now it's a little tricky to do this and actually make contact with the golf ball.

00:01:53,000 --> 00:01:59,000
So usually what I'll do is get that look there in slow motion.

00:01:59,000 --> 00:02:01,000
It's coming through kind of like that.

00:02:01,000 --> 00:02:05,000
And then in slow motion, I'm trying to hit that impact bag.

00:02:05,000 --> 00:02:08,000
Now this is going to exaggerate that end out move.

00:02:08,000 --> 00:02:15,000
But when you start to add speed, it's going to usually result in a slight draw for golfers

00:02:15,000 --> 00:02:19,000
who are used to hitting more of a slice.

00:02:19,000 --> 00:02:23,000
If you're already struggled with hooking the ball, this probably isn't the best drill for

00:02:23,000 --> 00:02:24,000
you.

00:02:24,000 --> 00:02:28,000
So we'll bring that so it's just slightly outside the ball kind of like so.

00:02:28,000 --> 00:02:34,000
And then we'll do a little 9 to 3 where I'm basically trying to make contact with that

00:02:34,000 --> 00:02:41,000
and you saw once I add some body rotation, I actually missed the bag, which is easier to

00:02:41,000 --> 00:02:42,000
do than you would think.

00:02:42,000 --> 00:02:49,000
So again, we'll get that just outside kind of like that.

00:02:49,000 --> 00:02:55,000
Get a couple of rehearsals and I want to make sure that I'm not getting the arms too far

00:02:55,000 --> 00:02:56,000
behind.

00:02:56,000 --> 00:03:00,000
So I'm still kind of in this position, you know, good delivery position and then I'm

00:03:00,000 --> 00:03:03,000
trying to basically close the face early.

00:03:03,000 --> 00:03:08,000
So it's close there and then I'm just trying to stick that toe into the bag like so.

00:03:08,000 --> 00:03:12,000
Yeah, just like that.

00:03:12,000 --> 00:03:14,000
Now time I hit the alignment route.

00:03:14,000 --> 00:03:21,000
So you can use the impact bag in a number of creative ways to give your brain a reference

00:03:21,000 --> 00:03:23,000
of hitting something.

00:03:23,000 --> 00:03:29,000
But I'm not a huge fan of hitting and bracing to look at impact position because it neglects

00:03:29,000 --> 00:03:35,000
a bunch of the skills that I think are good when you're training impact position.

00:03:35,000 --> 00:03:41,000
But I do like it for working on this right word exaggerated path and especially feeling

00:03:41,000 --> 00:03:48,000
that clubclosed with a lack of rotation through that release.

00:03:48,000 --> 00:03:54,000
That combination when you take it to a full swing is likely to produce a slight right to left

00:03:54,000 --> 00:03:54,000
ballpoint.

Subscribe now for full access to our video library.