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In this analysis video, we're going to take a look at the driver swing of Matt Wolf.

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So we're going to take a look at what Matt Wolf does to make him such an exceptional

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driver the golf ball.

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We're going to talk about a couple keys that you can apply to your game.

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Matt has a great combination of distance and accuracy and there are a few things that you

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can learn to apply right away.

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Now when it comes to the driver swing, there are three main keys that we like to look

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for.

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We create a flat bottom of the swing.

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We want to have earlier face rotation rather than later and we want to have a body driven

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swing or body driven pivot.

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We're specifically going to look at that third piece with Matt Wolf because he does a great

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job of using his body.

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Okay, let's get those first two kind of out of the way and then we can talk exclusively

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about what's going on with his body and his pivot.

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So first one we're looking at the flat spot.

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On the face on camera, I like to look for the height of the club head to be close to

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the height of the golf ball from about right foot to left foot.

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You'll typically see poorer drivers of the golf ball will be coming in a little bit higher

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or exiting a little quicker.

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So if we take a look, we can see that Matt does a pretty darn good job of getting the club

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download of the ground and then having this kind of sweeping action on the way through.

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And it's really not until after here that you start to see the club get higher than the

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high of the golf ball.

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That gives them a pretty good margin of error in terms of solid contact.

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Now Matt has a weaker grip.

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So we would expect to see a fair amount of Boeing of the lead wrist and the trailhead

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and really getting on top to help square the face.

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So over here on the right, take a look at the unique transition movement.

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A lot of people like to discuss, but if we just hone in on the club face, we can see in

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this position the club face is pointing way out to the right or way up towards the sky.

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That's quite an open position.

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And now once you get down to about here, the club face is pointing more at the golf ball.

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So really between right around here and right around there, you can see the club face

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rotate.

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Other specific videos where we focus on that, but getting the club face to rotate into

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a more close position allows you to have more lag and still have the club face pointing

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at the target instead of out to the right.

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So it seems to be much more consistent to get that squared up earlier.

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And really as long as you start that rotation before the club gets to about parallel,

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you should be in good shape.

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Matt does it early enough to allow for his excellent body driven pivot.

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Matt will start with his little preset move, which is just a reminder to himself that he

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wants to get his body open.

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It's a kind of built off of a drill that he did with his coach for a long time and it

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just stuck in as a pre shot trigger to remind him to get his body open.

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Now as he goes up towards the top of the swing, we'll see that the arms and hands really

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haven't changed a whole lot from where they were at setup.

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So at setup here, the club is basically perpendicular to a spine.

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As it gets up here, it's still perpendicular to a spine.

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And you can see that his trail risk that right wrist hasn't really changed yet.

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Now we know that when he gets down into this kind of loaded position during the downswing,

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he's going to be reaching his maximum extension of the wrist somewhere around here.

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What messes a lot of amateurs up is that they overset the wrist.

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They get up to the top of the swing and they hinge up as much as they can and there's no

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slack.

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So we'll try to get it for that wrist to go and so we'll tend to start casting or early

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releasing the club early in transition.

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One way to guarantee that you're not going to early release the club is to never set

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it during the backswing.

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And by not moving him in the backswing, he's using exclusively the transition to make that

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movement.

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Now if you're going to have a body driven swing, if we're going to get the legs in the

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core and the chest all involved, this is a great model and a great swing to look at.

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One of the reasons I really like his move is you'll see that he does a great job of maintaining

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the centeredness of his upper body.

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Even though there's a lot of dynamics happening and his legs in it is core.

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So from the down the line, you can see a lot of hip rotation and he picks his foot up

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to help serve as a trigger.

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It allows him to make a full backswing with the hips, but it also serves as a trigger for

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him to start the downswing, similar to say a jacknickless or bubble Watson.

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So we'll see that as he starts down, in the timing where he's rotating his pelvis back

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to square and planting that foot into the ground, you'll see that his arms have not lowered

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anywhere down compared to his chest.

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The relationship of the left arm compared to the chest, stayed at the same height during

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that initial transition phase.

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Now whether he feels like he's pulling down on the club or he feels like he's holding

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his arms up, that's a feel thing.

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But we can see that if you're going to rotate your lower body and you're going to rotate

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your core, it would make sense that the arm wouldn't pull down aggressively away from the

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chest or down vertically compared to the body.

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Because he hasn't done very much action with his arms and hands in the backswing, you'll

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see that that initiation, his lead foot is starting to press down and you'll see that the club

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is still kind of working its way to the end of the backswing.

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So he does a great job of sequencing the lower body moving first before his core gets involved.

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Now I'm going to cue in on one little thing that I haven't seen a lot of people talk

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about that I think is helpful for understanding how he's able to do this massive arm shallowing

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and body-powered transition.

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And that is if we look at his trail hand.

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So if we look at his trail hand, it gets a little grainy as we zoom in.

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But I want you to watch his right index finger right there.

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So as he gets up towards the top of the swing, you'll see that right index finger come

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off the club.

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I'm not saying that in order to use your body, you have to have your hand come off the club.

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What I am saying is that in order to power things with your body, you're going to have

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to have a little bit more softness in your forearms compared to if I was really going

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to pull down on the club.

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I would tend to have a little bit stronger hand tension.

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And so what you'll see is that hand that finger stays off of the club until he gets

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down to right around there.

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So we'll see that during this massive rotation, a lot of that is happening from rotating

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his body while having a relaxed or softer arm in form position.

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While his shoulders is shoulder is going into external rotation and his lead form is pronating

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or rotating this way.

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So a lot of that movement there is happening from having a softness in the arms rather

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than holding it really tight and trying to pull it down that way.

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If you were to hold it really tight and pull it down that way, it would typically mess up

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your sequencing.

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But if you feel it falling, then you'll tend to still be able to aggressively rotate your

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body, which meant a demonstrated really, really well.

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The last piece we're going to talk about is the use of the lower body.

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So we can rotate, we can push side to side or we can push vertically.

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To hit the ball far, you want to use a blend of all three of those and we're going to see

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Matt use a really good sequence of them.

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So as he starts his rotation, you'll see that the center of his pelvis moves from right

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around there to right around there.

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At the same time, it's rotating, but there's a little bit of the lateral movement initiation

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before the rotation really kicks in.

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But for all intent purposes, here during transition, he has more of this lower body

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slide and rotation, but you'll see that the belt height stays about the same.

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Now I'm going to put a couple little indicators here just so we can see what happens during

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the rest of the downswing.

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Now as when he's right around this point here is where he's going to really start getting

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vertical with that left leg.

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So you'll see that left leg straight and you'll see that right leg straight and he's pushing

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against the ground to raise his pelvis up.

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Now you will see that when he does that, you can see that the height of the pelvis tends to

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go up, but you can see that the height of his head tends to stay about the same.

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So while he's doing all this dynamic stuff with his lower body to help create speed,

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his upper body stays in a pretty stable location compared to the golf ball.

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In fact, if we go up towards the top of the swing, we'll see a minimal amount of shift

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of the upper body.

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A lot of higher handicap amateurs try to use the whole mass of their upper body either

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by swaying side to side or by really lifting up.

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And that tends to limit speed, even though you feel like you're creating a lot of force

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at limit speed, it also tends to make consistent contact a little harder to do.

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So if you're trying to get your body involved, this is a great pivot to study where you're

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able to rotate that lower body, but then when you go vertical with the lower body, it

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creates this hollowing out of the core as opposed to a vertical movement of everything.