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Some golfers respond more to feelings while others respond more to visuals. This is a visual drill for helping you dial in your backswing arm motion. If you naturally swing the club well underneath in the takeaway and then across the line at the top, you are essentially taking the club only horizontally at first, and then only vertically during the setting phase of the backswing. For most golfers, it's better to blend the movements into a more diagonal pattern. This is similar to moving the handle to the top corner of a baseball hitters strike zone.
Tags: Backswing, Drill, Beginner
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This backswing drill is top corner of the strike zone.
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So this is more of a visual of where I want your hands to move when your arms are making
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a really good backswing.
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So I have other drills where I kind of break through rotating the arms in this direction,
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but I've had a visual that I use for a number of students that seem to help when you're
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practicing the backswing of just the arms.
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I want you to imagine your playing baseball and you've got the strike zone.
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So we've got the kind of the box, the strike zone from about your knees to your shoulders
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kind of like that.
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We are going to move our hands in a slight rotation up towards the top corner of the backswing
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while keeping that right arm in front of the body.
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So it tends to be more like this.
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Two common patterns that I see in takeaways are basically doing all of the linear and
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then all of the vertical in one order of the other.
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So the most common, poor backswing pattern is you bring your arms across and then you
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lift them up.
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That often is accompanied with flying elbow and getting really steep and across the line.
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But that takeaway was across and then up.
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The less common one but the one that I'll still see is a little bit of up and then rotate.
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So it's kind of a straight up almost over.
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Like I said, it usually that second one is definitely less common but it happens more with
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golfers who are really kind of knee dominant knee active.
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So let's look through those couple examples and then the good one that we like.
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So the first one is going to be bring it over and then bring it up.
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If I turn especially with a flat shoulder plane if I do that, if I bring it over that
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brings the club way inside, if I bring it up now it's getting across the line and
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steep and so now when I turn to come down and pull down this club is in a very steep position.
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So even though it's going to shallow, it's almost vertical when I get into arm parallel
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or P5 and from there I'm going to have to do some type of major body shallowing to make
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contact.
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So you'll see if I if I demonstrate that one, if we go across and
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then up, I'll have a lot of trouble making contact.
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That's kind of where the classic over the top steep pattern and I tried to re-arrow it but
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wasn't able to do that made really poor contact.
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So the second one would be usually no real rotation at first but kind of a pickup move
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more like this and then sometimes some rotation but often times it's just a pickup and
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then pull the arms down typically hits a really weak slice like I did there.
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So again that would be compared to the straight zone.
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I'm just basically lifting the hands straight up and then having a little bit of body rotation.
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That one's hard for me to ignore or exaggerate because I'm such a body dominant player.
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Okay so then the last one which would be the one that we want is a little bit more of a
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blend of up and out so I'm going to move up towards this corner of the straight zone and
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I'm going to feel like my left arm does a little bit of a barrel roll or a little bit
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of a rotation this way so that the elbow is pointing more away from me and I'm going to
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feel like the trail arm does a little bit of that jazzy Jeff move or the shoulder external
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rotation.
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So if I do those two together in one movement it'll end up looking kind of like that.
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So if I if I control the club face and get it into that position that tends the set
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me up where I can have a pretty neutral transition I could hit draw hit a fade arms
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were in position to drop in shallow body is in position to power the swing.
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So if you're struggling with your backswing off season is a good time to clean it up you
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can tell by the weather here it's off season in California.
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So working a little bit on the backswing I thought share with you a visual that's helped
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a number of students who struggle with the arms getting a little bit out of sorts during
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their backswing.
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It's one more good one for the down the line.
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Just like that.