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Armpit Connection

Lots of golfers and golf instructors have used an idea of "connection" between the shoulders and the ribcage with success in training the golf swing. Different objects can be used, such as a towel, a glove, or a tee, but all versions of this drill do virtually the same thing. They all prevent you from loading your shoulder joints, which then makes them less likely to be used by the brain. Since the brain no longer has a powerful shoulder to use, it is forced to come up with a different strategy. The only two options are to use your hips and to use your core, from the top of the swing, to get the club to, and past, the ball. This is a great drill for those of you who have too much shoulder involvement too soon, and not enough core, which is a common power source problem in the cast pattern.

Tags: Cast

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This drill is arm pit connection.

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So arm pit connection is a drill that's kind of stood the test of time.

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The current most popular teaching method that uses this a lot is the stack until.

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So Mike and Andy have a good version of it where they use T's, but Jimmy Ballard has been

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hooking, would put a towel underneath their arms.

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VJ Singh was famous for putting the glove under his left hand a lot of guys have used this.

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Basically keeping the connection between your arm pit and your body.

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So I like the stack until version which is basically taking two T's, one under each

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arm pit.

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So by putting the T's on the arm pits I basically can't use my shoulders and extend away

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like this because if I do I'm going to drop the T's.

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So this is very helpful for working on a cast pattern and can also be helpful for working

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on an early extension pattern.

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If I was to summarize what it does is basically it forces you to use your trunk as more

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of a power source than your shoulders.

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So if you're very upper body dominant you use your shoulders a lot, this can be a great

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drill.

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I like to start by doing kind of nine to three type swings and focusing on keeping that

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connection with this little effort as possible.

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So I don't want you kind of gearing down and really squeezing as hard as you can.

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I'll tell my students just imagine there's kind of a baby's finger in your armpit and

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you just want to hold it there.

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And then you can do, I'll lose that T for a second.

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You can do nine to three and you can work up to full swings.

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You can do any club, whether you're doing driver, half wedges, full iron shots, everything

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works pretty well with this.

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I will say when you get to the full swing so when you go past that kind of nine position

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in the backswing you're going to have a tendency to lose that right arm.

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In fact I think it's okay if you lose the right arm T but your preference as VJ seeing

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demonstrated it is to make sure that you keep that left arm T.

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Because what'll happen is if you lose that right arm T, what most good players who have

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kind of a little bit more of the shoulder load like say a Fred Couples or Jack Nicholas

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is they will just kind of reconnect it on the downswing.

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Problem is a lot of amateurs, I'll drop that.

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A lot of amateurs will get up to the top of the swing and they'll completely disconnect

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like so and use just those arms to create speed as opposed to letting the trunk continue

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through.

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So this is a great drill for helping you feel the power coming more from the rib cage and

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you'll feel like your arms basically act as ropes that more or less transfer that power.

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So you can do it in the nine to three version.

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Kind of like so where the body is controlling the turn or you can go all the way up to a full

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swing.

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And the T's may fall out in the follow-through but you should be able to make a relatively

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full swing and just power it with the rib cage.

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This will help you change the power source from your shoulders which is going to be common

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in either the cast pattern or the early extension pattern.

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So one last little piece of advice, a lot of players when they go from doing this arm

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dominant swing and kind of having those shoulders disconnect from the body, when they do

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this they will feel like they kind of saw off or they will feel like their upper body

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is turning a lot through the shot.

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Use video and use ball flight to make sure that that's not actually the case.

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What most people do and what you'll see, I can keep that connection and still have the

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club coming through well from the inside and if I add the little Zoro move, I can definitely

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hit little draw shots doing this movement.

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So don't think that just because the body is turning the path is going to the left,

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oftentimes that's a barrier that you're going to have to get over.

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But I've seen this really help with consistency contact, especially consistency a turf

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contact and I think it'll help you with your game.

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