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Low, Spinning Wedge Technique
The low spinning wedge shot is based on the normal mechanics of the distance wedge, but emphasizes more of a body release through the ball. That combined with a fair amount of trail arm straightening through the shot helps to produce low launch (from shaft lean) but not create a steep angle of attack. That combination, when performed with a clean club and a performance ball, helps to produce the shot tour pros error on for hitting wedge shots.
The low spinning wedge shot is based on the normal mechanics of the distance wedge, but emphasizes more of a body release through the ball. That combined with a fair amount of trail arm straightening through the shot helps to produce low launch (from shaft lean) but not create a steep angle of attack. That combination, when performed with a clean club and a performance ball, helps to produce the shot tour pros error on for hitting wedge shots.
This distance wedge video is looking at the low-spiny wedge.
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So the low-spiny wedge is kind of a really cool shot that a lot of four pros like to hit.
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Not everyone does it, but a lot of them default to this is kind of some of their standard
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40 to 60 yards or so.
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Where it comes in a little bit low, looks like it's going to bounce way off the green and
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then it lands once and then kind of grinds to a halt or lands twice and grinds to a halt,
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depending on kind of the distance that they're hitting.
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There's two things that are required in order to get this shot.
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You need low launch and high spin.
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Now I'm going to walk you through a little bit of the kind of details of how they're able
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to hit this shot, but know that it's layered on the finesse wedge.
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So, or sorry, it's layered on the distance wedge.
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So as far as the general pattern is going to go, we're going to tend to see a little bit of
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a upper and lower body shift towards the target, the entire stroke.
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You're not going to see a shift off the ball and then big through the ball.
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So during the backswing, that upper body is going to shift slightly left.
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You'll tend to see a little bit more of a cast pattern where everything kind of goes
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all together instead of having a really pronounced bracing strategy and sequencing.
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But we'll talk about a couple of the specifics that we're going to do for this shot that
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you don't necessarily have to do just the hit a good distance wedge shot.
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Okay, so most of these shots are going to be hit with your at least sand wedge.
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So 56 in above, I've got my 58 here and I'll demonstrate some at the end of this video.
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Basically what you're going to see is you have to, in order to get this to launch
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low, we have to do some things that are going to de-loft the club.
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But if my angle of attack is really high with a de-lofted club, I'm going to tend to hit
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too high on the face in order to get the spin.
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So to monitor your launch angle, this is a brilliant little setup that I first saw James
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Radiard in his program, the secret of the short game or the distance wedge.
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If you'd Google James Radiard and short game, you'll find it.
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But basically this is yardage stick that has some duct tape going across from it.
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And I've basically got it about twice the distance of one of these meter sticks.
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And so what that does is that creates a 30, 60, 90 triangle, which means that if I'm
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going to hit the tape, I'm roughly going to have about a 30 degree launch angle, which is
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about the optimum for where at least the guys who I've talked to who use a lot of track
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mandate, they'll tell you that 30 degrees, if it gets up around 40 degrees, they're not
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going to have high enough spin.
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So 30 degrees is where you get the low one that still spins enough.
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So how am I going to take my 60 degree or 58 degree wedge and get it to launch there?
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Well part of it is going to be wherever I set up.
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I want to have about 10 to 14 degrees of shaft lean somewhere in there.
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Now there are different ways to get shaft lean.
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We'll talk a little bit about how we're going to get it for this particular shot.
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But we want to get shaft lean, which is going to deal off the club.
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And the other big one, which is going to more relate to the spin than the launch, is we
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want to hit this low on the face.
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As opposed to hitting the ball, kind of high up in the middle of the club.
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What happens is if you hit it off the middle of the club, it's just going to ricochet off
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that sweet spot.
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If you hit it low off the face, it'll tend to slide a little bit more up the face of
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the club.
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And so you'll actually be able to impart more spin that way.
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So what ends up happening for this shot is I need to have lean, but I don't want to have
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that steep angle of attack, because that's going to move my contact a little bit too high
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up the face, typically.
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So I want to have a very shallow angle of the attack while still having the shaft lean.
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One of the big requirements for being able to do this shot, based on that criteria, is
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we can't have very much flip in the hands at all.
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So the cast is more from the arm in the elbow than it is from the hand.
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So what ends up happening is that cast pattern is going to look more like that right arm
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is going to extend.
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And for a lot of you because you're not going to flip the wrist, it's going to feel a little
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bit more like a punch shot.
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It's not, it's the specialty shot, but it's going to feel more like a punch shot because
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you're not going to have a big flip of the hands.
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So all other things are going to be fairly standard to what we were doing in the distance
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wedge.
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Other than we need a little bit more lean, we can't have any flip of the hands.
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And we need the hand pad to go a little bit more left through the shot.
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You're never going to see someone hit this low spinning wedge where their hands are going
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kind of in out and up kind of like that.
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Like you would see a little bit more with the longer clubs like the driver.
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What you'll tend to see on this shot is you'll tend to see the hands almost work straight
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up the shaft lean at impact.
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And following that body rotation just like so.
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So one of the ways that I like to teach players how to hit this shot is basically learning
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to get that shaft lean without stalling.
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So getting into that setup position and then finding where that impact is going to be,
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just going to be somewhere around there.
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And then from here, keeping the wrist about the same, just use that body rotation to take
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the club up that shaft lean.
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By doing so, what you'll tend to find is that you're going to have a little bit more
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of the speed coming from that right elbow extension as opposed to a really big body
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pivot.
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Now, this is why in my playing days, I didn't hit this shot a lot.
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I would air for more going with kind of slightly open face and lofted shot because
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I tend to, I still tend to get most of my speed from my hips and my lower body.
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And that's very hard for this particular shot.
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You want to have more of the engine, more of the power source being the arms and the
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shoulders.
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If it drifts down into your lower body, you're also going to tend to have trouble contacting
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it really low on the face.
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One last point, this, because we're trying to get a lot of spin, I should point out that
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equipment is incredibly important for this shot.
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I remember talking to Patrick Harrington's brother at a conference and he said that
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Padrik, similar to Phil Nicholson, would get new wedges every single week.
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That's not realistic for most people, but if you have old beat up wedges, kind of like
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this one, if you're hitting range balls, that combination, you're not going to get enough
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spin to actually make it grab.
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If you're hitting off of kind of shaggy turf or like first cut of rough, that's also going
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to make it harder to hit this shot.
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So you want to have relatively new wedges and you absolutely have to play kind of a spinny
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performance ball.
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All the technique in the world, you're not going to be able to generate the spin numbers
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if you don't have good quality equipment for hitting the shot.
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So you're going to, we'll just quickly recap, you're going to get that shaft lean by having
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your hands slightly forward an impact.
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You're going to have that body continue or support the movement of the body through
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the shot.
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Other than that, it's just going to be your standard ball position kind of in the middle
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to slightly back in your stance.
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Not very far back, because that'll get your angle, the tack too far up.
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So ball position middle, little bit of this reverse weight shift, power it more with your
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upper body.
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If you do that, you should be able to clip the tape, hit these low shots that have a high
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amount of spin and we'll demonstrate a couple for you here so you can see kind of what
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it looks like.
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That's close, that was actually really good.
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So lower body is going to be a little bit quieter.
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It's more of a torso arm movement in order to get the amount of shaft lean you need
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and not have the club just slam in the ground.
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Even though your lower body is quiet, your upper body has to keep turning through.
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And you don't want to have a really pronounced flip of the hands because the flip of the
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hands is typically getting to get you to contact it a little too high on the face to get
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the real high spin numbers.
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So it's not a shot that I think you absolutely have to have.
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But it's a fun shot to be able to pull off when you need to do that.
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Had a little bit high launch, but that was still enough spin that that would have held
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for the shot that I was turning to.