Click here and enter your email address to watch the full video
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America. Meet your new instructor.

Subscribe now to watch the full video.

Swing Analysis - Hideki Matsuyama

Hideki Matsuyama is one of the top iron players on tour. I believe that he has such consistency with his iron play because 2 key movements:  

  • He demonstrates of his ability to release the club with his whole arms, not just his wrists. 
  • He controls the location of his sternum, through impact, as well as anyone.

You'll also see that he successfully balances his steeper arm movements by being patient with his upper body pull. 

Tags: Poor Contact, Iron, Analysis, Beginner

WEBVTT

00:00:00.050 --> 00:00:02.550
in this analysis video we're gonna take

00:00:02.550 --> 00:00:05.009
a look at the swing of hideki Matsuyama

00:00:05.009 --> 00:00:07.799
now hideki is consistently a top ball

00:00:07.799 --> 00:00:10.320
striker and like many who can really go

00:00:10.320 --> 00:00:13.219
low he shines with the iron shots

00:00:13.219 --> 00:00:16.710
specifically between 125 and 200 yards

00:00:16.710 --> 00:00:19.260
in this video we're gonna discuss two of

00:00:19.260 --> 00:00:21.600
his keys on how he's able to hit such

00:00:21.600 --> 00:00:24.900
exceptional approach shots Hideki is

00:00:24.900 --> 00:00:27.630
consistently in the top 10 in strokes

00:00:27.630 --> 00:00:29.939
gained approach the green

00:00:29.939 --> 00:00:32.369
he's his proximity the hole is great

00:00:32.369 --> 00:00:35.520
he's really solid iron player he's a

00:00:35.520 --> 00:00:36.870
good driver of the golf ball but he's a

00:00:36.870 --> 00:00:40.110
exceptional iron player he can struggle

00:00:40.110 --> 00:00:41.219
at times with the putting but when he

00:00:41.219 --> 00:00:43.079
gets that rolling he can go really low

00:00:43.079 --> 00:00:46.079
now what's nice for this analysis video

00:00:46.079 --> 00:00:48.870
is we're gonna take a look at what he

00:00:48.870 --> 00:00:51.120
does during the release because right

00:00:51.120 --> 00:00:53.309
now some of the hot concepts are to

00:00:53.309 --> 00:00:56.190
teach a lot of arm shallowing and early

00:00:56.190 --> 00:00:58.590
flexing of the lead wrist and we'll see

00:00:58.590 --> 00:01:00.359
that Hideki doesn't really do either of

00:01:00.359 --> 00:01:03.629
those you can see that early in his

00:01:03.629 --> 00:01:04.500
transition

00:01:04.500 --> 00:01:09.450
he gets the shaft in a more vertical or

00:01:09.450 --> 00:01:11.040
steep position compared to his upper

00:01:11.040 --> 00:01:12.689
body and he doesn't really flex that

00:01:12.689 --> 00:01:15.840
lead wrist so how is it that he's able

00:01:15.840 --> 00:01:18.930
to do these things that typical amateurs

00:01:18.930 --> 00:01:21.380
struggle with yet he is able to

00:01:21.380 --> 00:01:25.439
consistently be a great iron player or

00:01:25.439 --> 00:01:27.930
just a great ball striker well there's

00:01:27.930 --> 00:01:30.720
two keys that he's able to demonstrate

00:01:30.720 --> 00:01:33.810
in his swing one dealing with his arms

00:01:33.810 --> 00:01:35.790
and the way he releases the club and two

00:01:35.790 --> 00:01:38.310
dealing with his upper body and how

00:01:38.310 --> 00:01:41.549
stable he's able to keep his sternum now

00:01:41.549 --> 00:01:43.680
your arms actually connect to the

00:01:43.680 --> 00:01:46.860
sternum so the sternum is the chest bone

00:01:46.860 --> 00:01:50.970
is a great kind of reference for how

00:01:50.970 --> 00:01:53.189
your upper body is going to influence

00:01:53.189 --> 00:01:56.790
low point so what many amateurs would do

00:01:56.790 --> 00:02:01.229
is from this a little bit steep position

00:02:01.229 --> 00:02:05.939
like so they would shallow out the swing

00:02:05.939 --> 00:02:10.140
path by having the sternum go backwards

00:02:10.140 --> 00:02:11.910
away from the golf ball and having the

00:02:11.910 --> 00:02:15.570
sternum go up and probably having the

00:02:15.570 --> 00:02:19.290
sternum go a little bit forward now what

00:02:19.290 --> 00:02:23.580
we'll see is through the release he does

00:02:23.580 --> 00:02:25.950
a great job of keeping the sternum about

00:02:25.950 --> 00:02:28.410
the same distance away from the golf

00:02:28.410 --> 00:02:30.930
ball that helps him provide a really

00:02:30.930 --> 00:02:33.480
consistent reference point for his arm

00:02:33.480 --> 00:02:37.320
extension coming down the line you'll

00:02:37.320 --> 00:02:38.490
see that even though he does a

00:02:38.490 --> 00:02:40.380
tremendous job of pushing with the legs

00:02:40.380 --> 00:02:43.320
and using the legs vertically as well as

00:02:43.320 --> 00:02:45.450
rotationally you'll see that he doesn't

00:02:45.450 --> 00:02:48.270
let that cause his upper body or his

00:02:48.270 --> 00:02:51.870
sternum to move off of the golf ball so

00:02:51.870 --> 00:02:53.940
he stays a pretty consistent distance

00:02:53.940 --> 00:02:56.520
from his golf ball and then what he does

00:02:56.520 --> 00:02:58.950
with his arms allows him to make very

00:02:58.950 --> 00:03:02.550
solid repeatable turf contact what he

00:03:02.550 --> 00:03:04.440
does differently with his arms which is

00:03:04.440 --> 00:03:07.950
kind of that second key is he really

00:03:07.950 --> 00:03:11.640
releases the whole arm and not just the

00:03:11.640 --> 00:03:15.810
hands what many people do from that

00:03:15.810 --> 00:03:19.260
steep position is they would release the

00:03:19.260 --> 00:03:21.570
club outside in and they would reach

00:03:21.570 --> 00:03:24.330
their wrists and bend those arms to help

00:03:24.330 --> 00:03:28.350
square the face hideki rotates the club

00:03:28.350 --> 00:03:31.470
he just does it later than what most

00:03:31.470 --> 00:03:35.130
Tour Pros do currently so he's able to

00:03:35.130 --> 00:03:39.650
rotate the club through this zone here

00:03:39.650 --> 00:03:42.870
which allows him to get some shaft lean

00:03:42.870 --> 00:03:44.640
but still have the clubface pointing at

00:03:44.640 --> 00:03:46.770
the target if you struggle with getting

00:03:46.770 --> 00:03:49.739
shaft lean then know that in order to

00:03:49.739 --> 00:03:51.300
have any amount of shaft lean and have

00:03:51.300 --> 00:03:52.920
the club pointing at the target you're

00:03:52.920 --> 00:03:55.400
going to have to have some face rotation

00:03:55.400 --> 00:04:00.000
now on the way through what he does in

00:04:00.000 --> 00:04:03.739
order to produce more of a wide

00:04:03.739 --> 00:04:06.989
consistent bottom to his swing is he

00:04:06.989 --> 00:04:09.810
straightens his arms and he extends or

00:04:09.810 --> 00:04:13.470
he owner deviates he unhinges his wrist

00:04:13.470 --> 00:04:18.030
which helps keep the club wider longer

00:04:18.030 --> 00:04:19.950
it helps keep the club moving on a more

00:04:19.950 --> 00:04:21.680
shallow path for a longer pair

00:04:21.680 --> 00:04:24.560
of time he does it so long and so late

00:04:24.560 --> 00:04:26.150
that you'll see that by the hands are

00:04:26.150 --> 00:04:28.550
almost belly button height the club is

00:04:28.550 --> 00:04:32.000
still below them he he's one of the best

00:04:32.000 --> 00:04:34.970
at this along with a jordan spieth and

00:04:34.970 --> 00:04:37.669
it's no coincidence that the two of them

00:04:37.669 --> 00:04:39.770
are some of the top iron players in the

00:04:39.770 --> 00:04:43.430
game what many amateurs do is they would

00:04:43.430 --> 00:04:45.919
not really fully release their arms and

00:04:45.919 --> 00:04:48.350
shoulders but instead flip the trail

00:04:48.350 --> 00:04:51.199
wrist and extend the lead wrist and have

00:04:51.199 --> 00:04:53.810
the club head pass very quickly so they

00:04:53.810 --> 00:04:55.720
would have the club working its way

00:04:55.720 --> 00:04:58.160
towards that position compared to the

00:04:58.160 --> 00:05:00.949
hand height where Hideki keeps with the

00:05:00.949 --> 00:05:03.800
unhinging keeps his hands above the club

00:05:03.800 --> 00:05:05.990
head for a long period of time into the

00:05:05.990 --> 00:05:09.080
follow-through that helps him obtain

00:05:09.080 --> 00:05:12.229
this really classic looking what I call

00:05:12.229 --> 00:05:14.509
follow-through position where the arms

00:05:14.509 --> 00:05:16.400
are fully extended the club has pointed

00:05:16.400 --> 00:05:18.979
just slightly right of his target line

00:05:18.979 --> 00:05:21.710
are pretty close to it and the club is

00:05:21.710 --> 00:05:25.160
slightly below the hands his sternum has

00:05:25.160 --> 00:05:27.560
maintained about the same distance it

00:05:27.560 --> 00:05:29.990
was from the golf ball from where it was

00:05:29.990 --> 00:05:33.169
at impact through to that the end of

00:05:33.169 --> 00:05:35.630
that follow-through position so you got

00:05:35.630 --> 00:05:37.849
your two keys for iron play but I want

00:05:37.849 --> 00:05:40.190
to leave you with a tempo thought to

00:05:40.190 --> 00:05:42.620
work with as well one of the things that

00:05:42.620 --> 00:05:45.020
Hideki demonstrates that I've seen in my

00:05:45.020 --> 00:05:47.960
experience is that golfers who have more

00:05:47.960 --> 00:05:52.220
of a vertical or steep arm movement tend

00:05:52.220 --> 00:05:54.860
to do better with a quieter upper body

00:05:54.860 --> 00:05:58.580
so you'll see that Hideki has his famous

00:05:58.580 --> 00:06:00.050
kind of pause at the top where he

00:06:00.050 --> 00:06:02.389
collects himself and what gives him the

00:06:02.389 --> 00:06:06.409
look of more of that slow tempo during

00:06:06.409 --> 00:06:09.169
transition is the fact that his upper

00:06:09.169 --> 00:06:11.360
body doesn't spin out very much if

00:06:11.360 --> 00:06:13.400
you're gonna have more vertical arm

00:06:13.400 --> 00:06:16.250
movement then keeping your chest closed

00:06:16.250 --> 00:06:18.919
or keeping your upper body quiet tends

00:06:18.919 --> 00:06:20.599
to really help balance that out and

00:06:20.599 --> 00:06:22.699
coordinated so you'll see even though he

00:06:22.699 --> 00:06:25.909
goes pretty hard with his lower body his

00:06:25.909 --> 00:06:29.479
upper body is not one of his major power

00:06:29.479 --> 00:06:33.150
sources that combination of

00:06:33.150 --> 00:06:36.240
going harder with his lower body harder

00:06:36.240 --> 00:06:38.340
with his arms but being quiet with his

00:06:38.340 --> 00:06:41.310
upper body not spinning out not creating

00:06:41.310 --> 00:06:42.810
a lot of aggression from his upper body

00:06:42.810 --> 00:06:45.540
helps him control his path his low point

00:06:45.540 --> 00:06:47.610
in his face to be one of the more

00:06:47.610 --> 00:06:50.910
consistent iron players so if you want

00:06:50.910 --> 00:06:52.800
to learn more about how your swing works

00:06:52.800 --> 00:06:55.230
head over to golf smart academy.com sign

00:06:55.230 --> 00:06:56.910
up for a free membership and you can

00:06:56.910 --> 00:06:59.100
check out videos related to transition

00:06:59.100 --> 00:07:01.680
the release or general concepts like

00:07:01.680 --> 00:07:04.530
slicing and hooking if you're not quite

00:07:04.530 --> 00:07:06.390
ready to sign up for a free membership

00:07:06.390 --> 00:07:09.630
then please like or subscribe to our

00:07:09.630 --> 00:07:11.640
video here that way you'll be the first

00:07:11.640 --> 00:07:12.990
to know about it when we come up with

00:07:12.990 --> 00:07:14.850
new content and release it here on

00:07:14.850 --> 00:07:17.300
YouTube

Subscribe now for full access to our video library.