Click here and enter your email address to watch the full video
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America. Meet your new instructor.
Train Your Release

Subscribe now to watch the full video.

Training Your Low Point Line

Improving low point should be one of the first to-dos for golfers struggling with their ball-striking. Thankfully, a simple pool-noodle or alignment stick is all that is needed to create the right training environment for this process. When setup correctly, players should be able to identify (2) major swing faults that often lead to poor contact and errant shots.

Tags: Fundamentals, Poor Contact, Not Straight Enough, Sway, Impact, Follow Through, Release, Drill, Intermediate

00:00:00,000 --> 00:00:07,000
The trail is training your local life.

00:00:07,000 --> 00:00:11,000
So I've got a pool noodle here to help you build a little bit of spatial awareness of where

00:00:11,000 --> 00:00:13,000
you are down at impact.

00:00:13,000 --> 00:00:19,000
A lot of golfers struggle with their pivot or their handle location and just having a wall

00:00:19,000 --> 00:00:20,000
would be ideal.

00:00:20,000 --> 00:00:25,000
But in this case, a pool noodle can help your brain figure out where you want to get to

00:00:25,000 --> 00:00:26,000
in space.

00:00:26,000 --> 00:00:30,000
It's an iron, just past impact.

00:00:30,000 --> 00:00:34,000
We talk about that low point being at about the left foot.

00:00:34,000 --> 00:00:40,000
Well one good reference or good checkpoint is basically at that point having the club,

00:00:40,000 --> 00:00:45,000
the club, the hand, the shoulder and the hip kind of all in line.

00:00:45,000 --> 00:00:50,000
The two most common problems would be either the upper body is back and I've slid a little

00:00:50,000 --> 00:00:56,000
bit, which could cause the hands to flip a little bit and cause me to hit that and

00:00:56,000 --> 00:00:58,000
it's in shots.

00:00:58,000 --> 00:01:05,000
Or the lower body stays back and the upper body gets kind of forward and then again the

00:01:05,000 --> 00:01:06,000
handle is back.

00:01:06,000 --> 00:01:11,000
But I can use this as a common or as a checkpoint to help with my spatial awareness.

00:01:11,000 --> 00:01:14,000
If I can go, I'll start first with the merry-go-round version.

00:01:14,000 --> 00:01:19,000
So basically I'll just look at my pivot and can I get to a position where my shoulder

00:01:19,000 --> 00:01:21,000
hip and foot are in line.

00:01:21,000 --> 00:01:25,000
That would be great for getting low point in front with an iron.

00:01:25,000 --> 00:01:29,000
If I wanted to then adapt this and train it more with a driver, I would make sure that

00:01:29,000 --> 00:01:36,000
I've got about a fist width between my shoulder and the wall, even though my lower body

00:01:36,000 --> 00:01:38,000
is up against the wall.

00:01:38,000 --> 00:01:40,000
So iron I'm going to be more on top of it.

00:01:40,000 --> 00:01:42,000
Driver I'm going to be more behind it.

00:01:42,000 --> 00:01:46,000
Lower body is in the same position, but the upper body difference creates that axis

00:01:46,000 --> 00:01:49,000
tilt that adjusts our angle of the tack.

00:01:50,000 --> 00:01:57,000
The hands are basically going to be in line with it, whether I'm with an iron or with

00:01:57,000 --> 00:01:59,000
a driver.

00:01:59,000 --> 00:02:03,000
So this can help again heighten that spatial awareness.

00:02:03,000 --> 00:02:08,000
Now I've got this here and I'm going to set it up so that it's behind me but kind of

00:02:08,000 --> 00:02:11,000
in line with the outer edge of my foot.

00:02:11,000 --> 00:02:17,000
Now if I get into a good impact position, this will feel like my body is turned facing

00:02:17,000 --> 00:02:21,000
the target and it's pretty much flush up against this wall when I get into my finished

00:02:21,000 --> 00:02:22,000
position.

00:02:22,000 --> 00:02:28,000
This will help me if I'm kind of staying back like this or if I'm sliding too much and

00:02:28,000 --> 00:02:30,000
breaking through the wall.

00:02:30,000 --> 00:02:34,000
In the finished position I don't mind if your upper body is a little bit more away because

00:02:34,000 --> 00:02:38,000
of the bracing pattern but when I get to impact, I want to make sure that I'm pretty

00:02:38,000 --> 00:02:43,000
close to that position especially if I struggle with fat thing contact.

00:02:43,000 --> 00:02:49,000
So like most of the things I do, I would start with getting into a little bit of a

00:02:49,000 --> 00:02:55,000
nine to three and then I would progress to tend to two and up to full swings.

00:02:55,000 --> 00:03:01,000
Now you want to be careful if I go too far back here, this is actually going to get

00:03:01,000 --> 00:03:02,000
in the way of my hand.

00:03:02,000 --> 00:03:11,000
So I want it to be set up so that it's more of kind of a visual that I can check at the end.

00:03:11,000 --> 00:03:18,000
It was just a touch behind, might have been just a little hair shallow on that one but

00:03:18,000 --> 00:03:22,000
this allows me to kind of dial in that low point position.

00:03:22,000 --> 00:03:26,000
So if you struggle with your upper body too far forward, your hips too back, your hands

00:03:26,000 --> 00:03:32,000
too far back, you can use a wall or some type of vertical reference to help you retrain

00:03:32,000 --> 00:03:33,000
that impact position.

Subscribe now for full access to our video library.